How utterly wonderful is this? Quite~
Just watch:
Doodling in Math: Spirals, Fibonacci, and Being a Plant [1 of 3] - YouTube
Tiny White Flowers
Saturday, April 28, 2012
Wednesday, April 11, 2012
Wednesday Poem
Untitled [A house just like his mother's]- Poets.org - Poetry, Poems, Bios & More
I was instantly taken by this poem by Gregory Orr, drawn to its simplicity, brevity, and depth. For me it evokes memories of living in my grandparent's house - the magic of the rooms, the mystery of the past I didn't live, that was theirs together.
I was instantly taken by this poem by Gregory Orr, drawn to its simplicity, brevity, and depth. For me it evokes memories of living in my grandparent's house - the magic of the rooms, the mystery of the past I didn't live, that was theirs together.
| Untitled [A house just like his mother's] | ||
| by Gregory Orr | ||
A house just like his mother's, But made of words. Everything he could remember Inside it: Parrots and a bowl Of peaches, and the bright rug His grandmother wove. Shadows also—mysteries And secrets. Corridors Only ghosts patrol. And did I mention Strawberry jam and toast? Did I mention That everyone he loved Lives there now, In that poem He called "My Mother’s House?" | ||
Monday, April 9, 2012
Monday Poem
I like this poem by George Bilgere, entitled "Robert Frost. I am not an English or Poetry teacher, but have led workshops and am a poetry editor, so this caught my attention. We love what we do, but sometimes the weight and volume of words forms a small wall, and the best thing we can do is sit back and have a glass of wine. Then, maybe we can disassemble it brick by brick. And just how do we nail down ambiguity?
Here is an excerpt from the poem "Robert Frost":
" Every year the English majors of America
must read these poems and analyze their ambiguity
or compare and contrast their ambiguity
in five double-spaced pages.
And the English teachers of America must read these pages
and determine whether they are incisive or not incisive.
I am one of those teachers. I try to do my share.
Because if we don't do this—if Frost's ambiguity
is not discussed, and if these discussions are not assessed,
and then finally graded—well, what's the point of all this?
What are we doing here?"
To read the poem in its entirety, please visit the link below:
Robert Frost by George Bilgere | The Writer's Almanac with Garrison Keillor
Here is an excerpt from the poem "Robert Frost":
" Every year the English majors of America
must read these poems and analyze their ambiguity
or compare and contrast their ambiguity
in five double-spaced pages.
And the English teachers of America must read these pages
and determine whether they are incisive or not incisive.
I am one of those teachers. I try to do my share.
Because if we don't do this—if Frost's ambiguity
is not discussed, and if these discussions are not assessed,
and then finally graded—well, what's the point of all this?
What are we doing here?"
To read the poem in its entirety, please visit the link below:
Robert Frost by George Bilgere | The Writer's Almanac with Garrison Keillor
Sunday, April 8, 2012
Ascension - Poem for Easter~
Ascension- Poets.org - Poetry, Poems, Bios & More
| Ascension | ||
| by John Donne | ||
Salute the last, and everlasting day, Joy at the uprising of this Sun, and Son, Ye whose true tears, or tribulation Have purely wash'd, or burnt your drossy clay. Behold, the Highest, parting hence away, Lightens the dark clouds, which He treads upon; Nor doth he by ascending show alone, But first He, and He first enters the way. O strong Ram, which hast batter'd heaven for me! Mild lamb, which with Thy Blood hast mark'd the path! Bright Torch, which shinest, that I the way may see! O, with Thy own Blood quench Thy own just wrath; And if Thy Holy Spirit my Muse did raise, Deign at my hands this crown of prayer and praise | ||
Saturday Poem
So, this is the penultimate poem in my Lenten challenge. It is a poem that came to me when I was teaching at a gym that over-looked the mud flats. I was on a treadmill that day, looking out at the wildlife so prevalent in that area, and was most captivated by this lone heron. This was my first published poem.
Heron
He
blends almost fully
into
the pull of tide, a long
stretch
of neck arched above folded wings.
He
seems to glide backward
in
meditation
with
all the patience and ease
of
Jesus fishing for breakfast at dawn.
His
gaze piercing the surface he is lost
in
the ripple of migrating waters
only
to appear again, stark
as
a bone of driftwood against a dark eddy.
In
this moment he strikes with such grace
that
I desire to imagine his prey
doesn’t
suffer; that it comes to him,
willing
to die
so beautifully.
--Ronda Broatch
Friday, April 6, 2012
A Poem for Good Friday~
After a Month of Rain by Linda Pastan | The Writer's Almanac with Garrison Keillor
Here's is the poem's beginning:
Everything I thought I wanted
is right here,
particularly when the sun
is making such a comeback,
and the lilac engorged
with purple has recovered
from its severe pruning,
and you will be back soon ...
Here's is the poem's beginning:
After a Month of Rain
by Linda Pastan
is right here,
particularly when the sun
is making such a comeback,
and the lilac engorged
with purple has recovered
from its severe pruning,
and you will be back soon ...
Video of 500 Years of Female Portraits in Western Art
Video of 500 Years of Female Portraits in Western Art
This is quite beautifully done - a visual poem~
Music: Bach's Sarabande from Suite for Solo Cello No. 1 in G Major, BWV 1007 performed by Yo-Yo Ma
Nominated as Most Creative Video 2nd Annual YouTube Awards
This is quite beautifully done - a visual poem~
Music: Bach's Sarabande from Suite for Solo Cello No. 1 in G Major, BWV 1007 performed by Yo-Yo Ma
Nominated as Most Creative Video 2nd Annual YouTube Awards
Maundy Thursday by Wilfred Owen
Maundy Thursday by Wilfred Owen
Maundy Thursday
Between the brown hands of a server-lad
The silver cross was offered to be kissed.
The men came up, lugubrious, but not sad,
And knelt reluctantly, half-prejudiced.
(And kissing, kissed the emblem of a creed.)
Then mourning women knelt; meek mouths they had,
(And kissed the Body of the Christ indeed.)
Young children came, with eager lips and glad.
(These kissed a silver doll, immensely bright.)
Then I, too, knelt before that acolyte.
Above the crucifix I bent my head:
The Christ was thin, and cold, and very dead:
And yet I bowed, yea, kissed - my lips did cling.
(I kissed the warm live hand that held the thing.)
The silver cross was offered to be kissed.
The men came up, lugubrious, but not sad,
And knelt reluctantly, half-prejudiced.
(And kissing, kissed the emblem of a creed.)
Then mourning women knelt; meek mouths they had,
(And kissed the Body of the Christ indeed.)
Young children came, with eager lips and glad.
(These kissed a silver doll, immensely bright.)
Then I, too, knelt before that acolyte.
Above the crucifix I bent my head:
The Christ was thin, and cold, and very dead:
And yet I bowed, yea, kissed - my lips did cling.
(I kissed the warm live hand that held the thing.)
Wilfred Owen
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