I have enjoyed, and supported, both public radio and public television for at least the past 21 years. I grew up watching KCTS 9, and make room in my weekend for The Car Guys, A PHC, Vinyl Cafe, Wait Wait - Don't Tell Me!, This American Life, and so many other great programs. During the week, KUOW keeps me company on my way to and from work. In the evenings, I am fascinated by NOVA, inspired by Rick Steves, and hopelessly addicted to Doc Martin. There are so many more, too, like Frontline, Masterpiece Theater, Nature, and Great Performances. The list goes one. I can't imagine losing these rich and varied programs.
If you live in Washington State, this is information on contacting your representatives about helping to save NPR and PBS programming:
From the KCTS 9 site:
"February 17, 2011
CONGRESS SET TO VOTE ON CPB FUNDING—CALL YOUR REPRESENTATIVE TODAY!
Dear friend of KCTS 9,
This is it: Congress is set to begin voting on a proposal that would completely eliminate federal funding for public broadcasting. The Full Year Continuing Appropriations Act (H.R. 1) would zero out funding for the Corporation for Public Broadcasting, which supports KCTS 9 and public television and radio stations across the country, as well as programming from PBS and National Public Radio.
By now you've heard the message: federal investment in public broadcasting amounts to just $1.35 per person each year. In return, all Americans have access to trusted news and public affairs coverage, a safe harbor of commercial-free children’s educational programming and front-row seats to world-class arts performances.
We need your urgent help to protect federal funding for public broadcasting. Please act now and take a moment to tell Congress how you feel about eliminating federal funding for public TV and radio.
WA-01: Rep. Jay Inslee 202-225-6311
WA-02: Rep. Rick Larsen 202-225-2605
WA-03: Rep. Jaime Herrera Beutler 202-225-3536
WA-04: Rep. Doc Hastings 202-225-5816
WA-05: Rep. Cathy McMorris Rodgers 202-225-2006
WA-06: Rep. Norm Dicks 202-225-5916
WA-07: Rep. Jim McDermott 202-225-3106
WA-08: Rep. Dave Reichert 202-225-7761
WA-09: Rep. Adam Smith 202-225-8901
The vote is imminent—we need your voice to be heard. Call today!"
* * *
Thanks for indulging me~
Tiny White Flowers
Thursday, February 17, 2011
Monday, February 14, 2011
Valentine's Day poem
Lovers' Infiniteness
by John Donne
If yet I have not all the love,
Dear, I shall never have it all,
I cannot breathe one other sigh, to move,
Nor can entreat one other tear to fall.
All my treasure, which should purchase thee,
Sighs, tears, and oaths, and letters I have spent,
Yet no more can be due to me,
Than at the bargain made was meant.
If then thy gift of love were partial,
That some to me, some should to others fall,
Dear, I shall never have thee all.
Or if then thou gavest me all,
All was but all, which thou hadst then;
But if in thy heart, since, there be or shall
New love created be, by other men,
Which have their stocks entire, and can in tears,
In sighs, in oaths, and letters outbid me,
This new love may beget new fears,
For, this love was not vowed by thee.
And yet it was, thy gift being general,
The ground, thy heart is mine; whatever shall
Grow there, dear, I should have it all.
Yet I would not have all yet,
He that hath all can have no more,
And since my love doth every day admit
New growth, thou shouldst have new rewards in store;
Thou canst not every day give me thy heart,
If thou canst give it, then thou never gav'st it;
Love's riddles are, that though thy heart depart,
It stays at home, and thou with losing sav'st it:
But we will have a way more liberal,
Than changing hearts, to join them, so we shall
Be one, and another's all.
by John Donne
If yet I have not all the love,
Dear, I shall never have it all,
I cannot breathe one other sigh, to move,
Nor can entreat one other tear to fall.
All my treasure, which should purchase thee,
Sighs, tears, and oaths, and letters I have spent,
Yet no more can be due to me,
Than at the bargain made was meant.
If then thy gift of love were partial,
That some to me, some should to others fall,
Dear, I shall never have thee all.
Or if then thou gavest me all,
All was but all, which thou hadst then;
But if in thy heart, since, there be or shall
New love created be, by other men,
Which have their stocks entire, and can in tears,
In sighs, in oaths, and letters outbid me,
This new love may beget new fears,
For, this love was not vowed by thee.
And yet it was, thy gift being general,
The ground, thy heart is mine; whatever shall
Grow there, dear, I should have it all.
Yet I would not have all yet,
He that hath all can have no more,
And since my love doth every day admit
New growth, thou shouldst have new rewards in store;
Thou canst not every day give me thy heart,
If thou canst give it, then thou never gav'st it;
Love's riddles are, that though thy heart depart,
It stays at home, and thou with losing sav'st it:
But we will have a way more liberal,
Than changing hearts, to join them, so we shall
Be one, and another's all.
Mitza
Just too sweet not to share.
This photographer says:
"Mitza
Winter white Russian dwarf hamster"
Happy Valentine's Day!
Thursday, February 3, 2011
A Poem for Thursday
From Poets.org
Good Hair
by Sherman Alexie
Hey, Indian boy, why (why!) did you slice off your braids?
Do you grieve their loss? Have you thought twice about your braids?
With that long, black hair, you looked overtly Indian.
If vanity equals vice, then does vice equal braids?
Are you warrior-pretend? Are you horseback-never?
Was your drum-less, drum-less life disguised by your braids?
Hey, Indian boy, why (why!) did you slice off your braids?
You have school-age kids, so did head lice invade your braids?
Were the scissors impulsive or inevitable?
Did you arrive home and say, "Surprise, I cut my braids"?
Do you miss the strange women who loved to touch your hair?
Do you miss being eroticized because of your braids?
Hey, Indian boy, why (why!) did you slice off your braids?
Did you weep or laugh when you said goodbye to your braids?
Did you donate your hair for somebody's chemo wig?
Is there a cancer kid who thrives because of your braids?
Did you, peace chief, give your hair to an orphaned sparrow?
Is there a bald eagle that flies because of your braids?
Hey, Indian boy, why (why!) did you slice off your braids?
Was it worth it? Did you profit? What's the price of braids?
Did you cut your hair after your sister's funeral?
Was it self-flagellation? Did you chastise your braids?
Has your tribe and clan cut-hair-mourned since their creation?
Did you, ceremony-dumb, improvise with your braids?
Hey, Indian boy, why (why!) did you slice off your braids?
Was it a violent act? Did you despise your braids?
Did you cut your hair after booze murdered your father?
When he was buried, did you baptize him with your braids?
Did you weave your hair with your siblings' and mother's hair,
And pray that your father grave-awakes and climbs your braids?
Good Hair
by Sherman Alexie
Hey, Indian boy, why (why!) did you slice off your braids?
Do you grieve their loss? Have you thought twice about your braids?
With that long, black hair, you looked overtly Indian.
If vanity equals vice, then does vice equal braids?
Are you warrior-pretend? Are you horseback-never?
Was your drum-less, drum-less life disguised by your braids?
Hey, Indian boy, why (why!) did you slice off your braids?
You have school-age kids, so did head lice invade your braids?
Were the scissors impulsive or inevitable?
Did you arrive home and say, "Surprise, I cut my braids"?
Do you miss the strange women who loved to touch your hair?
Do you miss being eroticized because of your braids?
Hey, Indian boy, why (why!) did you slice off your braids?
Did you weep or laugh when you said goodbye to your braids?
Did you donate your hair for somebody's chemo wig?
Is there a cancer kid who thrives because of your braids?
Did you, peace chief, give your hair to an orphaned sparrow?
Is there a bald eagle that flies because of your braids?
Hey, Indian boy, why (why!) did you slice off your braids?
Was it worth it? Did you profit? What's the price of braids?
Did you cut your hair after your sister's funeral?
Was it self-flagellation? Did you chastise your braids?
Has your tribe and clan cut-hair-mourned since their creation?
Did you, ceremony-dumb, improvise with your braids?
Hey, Indian boy, why (why!) did you slice off your braids?
Was it a violent act? Did you despise your braids?
Did you cut your hair after booze murdered your father?
When he was buried, did you baptize him with your braids?
Did you weave your hair with your siblings' and mother's hair,
And pray that your father grave-awakes and climbs your braids?
Friday, January 21, 2011
To the New Year
With what stillness at last
you appear in the valley
your first sunlight reaching down
to touch the tips of a few
high leaves that do not stir
as though they had not noticed
and did not know you at all
then the voice of a dove calls
from far away in itself
to the hush of the morning
so this is the sound of you
here and now whether or not
anyone hears it this is
where we have come with our age
our knowledge such as it is
and our hopes such as they are
invisible before us
untouched and still possible
W.S .Merwin
Wednesday, January 19, 2011
Spider Silk Weaving - Amazing!
Here is a photo I found that shows details of the the spider silk tapestry on display at the Museum of Natural History in New York.
Producing the spider silk—the only example of its kind displayed anywhere in the world—involved the efforts of 70 people who collected spiders daily from webs on telephone wires, using long poles. These spiders were all collected during the rainy season (the only time when they produce silk) from Antananarivo, the capital of Madagascar, and the surrounding countryside. These giant spider webs are a well-known feature of the capital, and frequently surprise international visitors. A dozen more people were needed to draw the silk from the spiders with hand-powered machines, with each spider producing about 80 feet of silk filament. This intricately-patterned spider silk features stylized birds and flowers and is based on a weaving tradition known as lamba Akotifahana from the highlands of Madagascar, an art reserved for the royal and upper classes of the Merina people (who are concentrated in the Central highlands). Silkworm silk has been used for a long period in Madagascar, however, there is no tradition of weaving spider silk in Madagascar. In this unique lamba cloth, the individual threads used for weaving are made by twisting 96 to 960 individual spider silk filaments together.'
From the American Museum of Natural History's website:
'A spectacular and extremely rare textile, woven from golden-colored silk thread produced by more than one million spiders in Madagascar, goes on display Wednesday, September 23 in the Museum's Grand Gallery. This magnificent contemporary textile, measuring 11 feet by 4 feet, took four years to make using a painstaking technique developed more than 100 years ago.
This unique textile was created drawing on the legacy of a French missionary, Jacob Paul CambouĂ©, who worked with spiders in Madagascar in the 1880s and 1890s. CambouĂ© worked to collect and weave spider silk but with limited success, and no surviving textile is now known to exist. Previously, the only known spider-silk textile of note was exhibited at the Exposition Universelle in Paris in 1900, and it was subsequently lost.Producing the spider silk—the only example of its kind displayed anywhere in the world—involved the efforts of 70 people who collected spiders daily from webs on telephone wires, using long poles. These spiders were all collected during the rainy season (the only time when they produce silk) from Antananarivo, the capital of Madagascar, and the surrounding countryside. These giant spider webs are a well-known feature of the capital, and frequently surprise international visitors. A dozen more people were needed to draw the silk from the spiders with hand-powered machines, with each spider producing about 80 feet of silk filament. This intricately-patterned spider silk features stylized birds and flowers and is based on a weaving tradition known as lamba Akotifahana from the highlands of Madagascar, an art reserved for the royal and upper classes of the Merina people (who are concentrated in the Central highlands). Silkworm silk has been used for a long period in Madagascar, however, there is no tradition of weaving spider silk in Madagascar. In this unique lamba cloth, the individual threads used for weaving are made by twisting 96 to 960 individual spider silk filaments together.'
Spider Silk Weaving - Amazing!
From the NPR site:
"September 27, 2009
This week in New York, the American Museum of Natural History unveiled something never before seen: an 11-by-4-foot tapestry made completely of spider silk.
Weavers in Madagascar took four years to make it, and the museum says there's no other like it in the world.
It's now in a glass case at the museum. The color is a radiant gold — the natural color of the golden orb-weaving spider, from the Nephila genus, one that's found in several parts of the world.
Simon Peers, a textile maker who lives in Madagascar, conceived the project. Weaving spider silk is not traditional there; a French missionary dreamed it up over a century ago but failed at it. The only known spider silk tapestry was shown in Paris in 1900 but then disappeared.
Peers researched previous attempts, then teamed up with fashion expert Nicholas Godley to hire local weavers to try the near-impossible."
To read more about this tapestry, and to see photos of it, check out the link above~
"September 27, 2009
This week in New York, the American Museum of Natural History unveiled something never before seen: an 11-by-4-foot tapestry made completely of spider silk.
Weavers in Madagascar took four years to make it, and the museum says there's no other like it in the world.
It's now in a glass case at the museum. The color is a radiant gold — the natural color of the golden orb-weaving spider, from the Nephila genus, one that's found in several parts of the world.
Simon Peers, a textile maker who lives in Madagascar, conceived the project. Weaving spider silk is not traditional there; a French missionary dreamed it up over a century ago but failed at it. The only known spider silk tapestry was shown in Paris in 1900 but then disappeared.
Peers researched previous attempts, then teamed up with fashion expert Nicholas Godley to hire local weavers to try the near-impossible."
To read more about this tapestry, and to see photos of it, check out the link above~
Wednesday, January 12, 2011
Poem: "Beannacht"
Beannacht
On the day when
the weight deadens
on your shoulders
and you stumble,
may the clay dance
to balance you.
And when your eyes
freeze behind
the grey window
and the ghost of loss
gets in to you,
may a flock of colours,
indigo, red, green,
and azure blue
come to awaken in you
a meadow of delight.
When the canvas frays
in the currach of thought
and a stain of ocean
blackens beneath you,
may there come across the waters
a path of yellow moonlight
to bring you safely home.
May the nourishment of the earth be yours,
may the clarity of light be yours,
may the fluency of the ocean be yours,
may the protection of the ancestors be yours.
And so may a slow
wind work these words
of love around you,
an invisible cloak
to mind your life.
the weight deadens
on your shoulders
and you stumble,
may the clay dance
to balance you.
And when your eyes
freeze behind
the grey window
and the ghost of loss
gets in to you,
may a flock of colours,
indigo, red, green,
and azure blue
come to awaken in you
a meadow of delight.
When the canvas frays
in the currach of thought
and a stain of ocean
blackens beneath you,
may there come across the waters
a path of yellow moonlight
to bring you safely home.
May the nourishment of the earth be yours,
may the clarity of light be yours,
may the fluency of the ocean be yours,
may the protection of the ancestors be yours.
And so may a slow
wind work these words
of love around you,
an invisible cloak
to mind your life.
John O'Donohue
Wednesday, January 5, 2011
On 1 January, 2011
my dad passed away. It seems the poems on Poets.org understand that tenuous feeling that the first of the year, even without death, can bring. Here are two examples:
The Thread of Life
by Christina Rossetti
1
The irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me: —
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self—chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?—
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow's foot lay surely gold,
And hope felt strong and life itself not weak.
2
Thus am I mine own prison. Everything
Around me free and sunny and at ease:
Or if in shadow, in a shade of trees
Which the sun kisses, where the gay birds sing
And where all winds make various murmuring;
Where bees are found, with honey for the bees;
Where sounds are music, and where silences
Are music of an unlike fashioning.
Then gaze I at the merrymaking crew,
And smile a moment and a moment sigh
Thinking: Why can I not rejoice with you ?
But soon I put the foolish fancy by:
I am not what I have nor what I do;
But what I was I am, I am even I.
3
Therefore myself is that one only thing
I hold to use or waste, to keep or give;
My sole possession every day I live,
And still mine own despite Time's winnowing.
Ever mine own, while moons and seasons bring
From crudeness ripeness mellow and sanative;
Ever mine own, till Death shall ply his sieve;
And still mine own, when saints break grave and sing.
And this myself as king unto my King
I give, to Him Who gave Himself for me;
Who gives Himself to me, and bids me sing
A sweet new song of His redeemed set free;
He bids me sing: O death, where is thy sting?
And sing: O grave, where is thy victory?
* * * * * * *
My Heart
by Kim Addonizio
That Mississippi chicken shack.
That initial-scarred tabletop,
that tiny little dance floor to the left of the band.
That kiosk at the mall selling caramels and kitsch.
That tollbooth with its white-plastic-gloved worker
handing you your change.
That phone booth with the receiver ripped out.
That dressing room in the fetish boutique,
those curtains and mirrors.
That funhouse, that horror, that soundtrack of screams.
That putti-filled heaven raining gilt from the ceiling.
That haven for truckers, that bottomless cup.
That biome. That wilderness preserve.
That landing strip with no runway lights
where you are aiming your plane,
imagining a voice in the tower,
imagining a tower.
The Thread of Life
by Christina Rossetti
1
The irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me: —
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self—chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?—
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow's foot lay surely gold,
And hope felt strong and life itself not weak.
2
Thus am I mine own prison. Everything
Around me free and sunny and at ease:
Or if in shadow, in a shade of trees
Which the sun kisses, where the gay birds sing
And where all winds make various murmuring;
Where bees are found, with honey for the bees;
Where sounds are music, and where silences
Are music of an unlike fashioning.
Then gaze I at the merrymaking crew,
And smile a moment and a moment sigh
Thinking: Why can I not rejoice with you ?
But soon I put the foolish fancy by:
I am not what I have nor what I do;
But what I was I am, I am even I.
3
Therefore myself is that one only thing
I hold to use or waste, to keep or give;
My sole possession every day I live,
And still mine own despite Time's winnowing.
Ever mine own, while moons and seasons bring
From crudeness ripeness mellow and sanative;
Ever mine own, till Death shall ply his sieve;
And still mine own, when saints break grave and sing.
And this myself as king unto my King
I give, to Him Who gave Himself for me;
Who gives Himself to me, and bids me sing
A sweet new song of His redeemed set free;
He bids me sing: O death, where is thy sting?
And sing: O grave, where is thy victory?
* * * * * * *
My Heart
by Kim Addonizio
That Mississippi chicken shack.
That initial-scarred tabletop,
that tiny little dance floor to the left of the band.
That kiosk at the mall selling caramels and kitsch.
That tollbooth with its white-plastic-gloved worker
handing you your change.
That phone booth with the receiver ripped out.
That dressing room in the fetish boutique,
those curtains and mirrors.
That funhouse, that horror, that soundtrack of screams.
That putti-filled heaven raining gilt from the ceiling.
That haven for truckers, that bottomless cup.
That biome. That wilderness preserve.
That landing strip with no runway lights
where you are aiming your plane,
imagining a voice in the tower,
imagining a tower.
Labels:
Christina Rossetti (poem),
Kim Addonizio (poem),
Poems,
Poetry
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