From the NPR site:
"September 27, 2009
This week in New York, the American Museum of Natural History unveiled something never before seen: an 11-by-4-foot tapestry made completely of spider silk.
Weavers in Madagascar took four years to make it, and the museum says there's no other like it in the world.
It's now in a glass case at the museum. The color is a radiant gold — the natural color of the golden orb-weaving spider, from the Nephila genus, one that's found in several parts of the world.
Simon Peers, a textile maker who lives in Madagascar, conceived the project. Weaving spider silk is not traditional there; a French missionary dreamed it up over a century ago but failed at it. The only known spider silk tapestry was shown in Paris in 1900 but then disappeared.
Peers researched previous attempts, then teamed up with fashion expert Nicholas Godley to hire local weavers to try the near-impossible."
To read more about this tapestry, and to see photos of it, check out the link above~
Tiny White Flowers
Wednesday, January 19, 2011
Wednesday, January 12, 2011
Poem: "Beannacht"
Beannacht
On the day when
the weight deadens
on your shoulders
and you stumble,
may the clay dance
to balance you.
And when your eyes
freeze behind
the grey window
and the ghost of loss
gets in to you,
may a flock of colours,
indigo, red, green,
and azure blue
come to awaken in you
a meadow of delight.
When the canvas frays
in the currach of thought
and a stain of ocean
blackens beneath you,
may there come across the waters
a path of yellow moonlight
to bring you safely home.
May the nourishment of the earth be yours,
may the clarity of light be yours,
may the fluency of the ocean be yours,
may the protection of the ancestors be yours.
And so may a slow
wind work these words
of love around you,
an invisible cloak
to mind your life.
the weight deadens
on your shoulders
and you stumble,
may the clay dance
to balance you.
And when your eyes
freeze behind
the grey window
and the ghost of loss
gets in to you,
may a flock of colours,
indigo, red, green,
and azure blue
come to awaken in you
a meadow of delight.
When the canvas frays
in the currach of thought
and a stain of ocean
blackens beneath you,
may there come across the waters
a path of yellow moonlight
to bring you safely home.
May the nourishment of the earth be yours,
may the clarity of light be yours,
may the fluency of the ocean be yours,
may the protection of the ancestors be yours.
And so may a slow
wind work these words
of love around you,
an invisible cloak
to mind your life.
John O'Donohue
Wednesday, January 5, 2011
On 1 January, 2011
my dad passed away. It seems the poems on Poets.org understand that tenuous feeling that the first of the year, even without death, can bring. Here are two examples:
The Thread of Life
by Christina Rossetti
1
The irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me: —
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self—chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?—
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow's foot lay surely gold,
And hope felt strong and life itself not weak.
2
Thus am I mine own prison. Everything
Around me free and sunny and at ease:
Or if in shadow, in a shade of trees
Which the sun kisses, where the gay birds sing
And where all winds make various murmuring;
Where bees are found, with honey for the bees;
Where sounds are music, and where silences
Are music of an unlike fashioning.
Then gaze I at the merrymaking crew,
And smile a moment and a moment sigh
Thinking: Why can I not rejoice with you ?
But soon I put the foolish fancy by:
I am not what I have nor what I do;
But what I was I am, I am even I.
3
Therefore myself is that one only thing
I hold to use or waste, to keep or give;
My sole possession every day I live,
And still mine own despite Time's winnowing.
Ever mine own, while moons and seasons bring
From crudeness ripeness mellow and sanative;
Ever mine own, till Death shall ply his sieve;
And still mine own, when saints break grave and sing.
And this myself as king unto my King
I give, to Him Who gave Himself for me;
Who gives Himself to me, and bids me sing
A sweet new song of His redeemed set free;
He bids me sing: O death, where is thy sting?
And sing: O grave, where is thy victory?
* * * * * * *
My Heart
by Kim Addonizio
That Mississippi chicken shack.
That initial-scarred tabletop,
that tiny little dance floor to the left of the band.
That kiosk at the mall selling caramels and kitsch.
That tollbooth with its white-plastic-gloved worker
handing you your change.
That phone booth with the receiver ripped out.
That dressing room in the fetish boutique,
those curtains and mirrors.
That funhouse, that horror, that soundtrack of screams.
That putti-filled heaven raining gilt from the ceiling.
That haven for truckers, that bottomless cup.
That biome. That wilderness preserve.
That landing strip with no runway lights
where you are aiming your plane,
imagining a voice in the tower,
imagining a tower.
The Thread of Life
by Christina Rossetti
1
The irresponsive silence of the land,
The irresponsive sounding of the sea,
Speak both one message of one sense to me: —
Aloof, aloof, we stand aloof, so stand
Thou too aloof bound with the flawless band
Of inner solitude; we bind not thee;
But who from thy self—chain shall set thee free?
What heart shall touch thy heart? what hand thy hand?—
And I am sometimes proud and sometimes meek,
And sometimes I remember days of old
When fellowship seemed not so far to seek
And all the world and I seemed much less cold,
And at the rainbow's foot lay surely gold,
And hope felt strong and life itself not weak.
2
Thus am I mine own prison. Everything
Around me free and sunny and at ease:
Or if in shadow, in a shade of trees
Which the sun kisses, where the gay birds sing
And where all winds make various murmuring;
Where bees are found, with honey for the bees;
Where sounds are music, and where silences
Are music of an unlike fashioning.
Then gaze I at the merrymaking crew,
And smile a moment and a moment sigh
Thinking: Why can I not rejoice with you ?
But soon I put the foolish fancy by:
I am not what I have nor what I do;
But what I was I am, I am even I.
3
Therefore myself is that one only thing
I hold to use or waste, to keep or give;
My sole possession every day I live,
And still mine own despite Time's winnowing.
Ever mine own, while moons and seasons bring
From crudeness ripeness mellow and sanative;
Ever mine own, till Death shall ply his sieve;
And still mine own, when saints break grave and sing.
And this myself as king unto my King
I give, to Him Who gave Himself for me;
Who gives Himself to me, and bids me sing
A sweet new song of His redeemed set free;
He bids me sing: O death, where is thy sting?
And sing: O grave, where is thy victory?
* * * * * * *
My Heart
by Kim Addonizio
That Mississippi chicken shack.
That initial-scarred tabletop,
that tiny little dance floor to the left of the band.
That kiosk at the mall selling caramels and kitsch.
That tollbooth with its white-plastic-gloved worker
handing you your change.
That phone booth with the receiver ripped out.
That dressing room in the fetish boutique,
those curtains and mirrors.
That funhouse, that horror, that soundtrack of screams.
That putti-filled heaven raining gilt from the ceiling.
That haven for truckers, that bottomless cup.
That biome. That wilderness preserve.
That landing strip with no runway lights
where you are aiming your plane,
imagining a voice in the tower,
imagining a tower.
Labels:
Christina Rossetti (poem),
Kim Addonizio (poem),
Poems,
Poetry
Saturday, December 25, 2010
Christmas Poem
From Poets.org:
Christmas Bells
by Henry Wadsworth Longfellow
I heard the bells on Christmas Day
Their old, familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!
And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!
Till ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!
Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!
It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!
And in despair I bowed my head;
"There is no peace on earth," I said;
"For hate is strong,
And mocks the song
Of peace on earth, good-will to men!"
Then pealed the bells more loud and deep:
"God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men."
by Henry Wadsworth Longfellow
I heard the bells on Christmas Day
Their old, familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!
And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!
Till ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!
Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!
It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!
And in despair I bowed my head;
"There is no peace on earth," I said;
"For hate is strong,
And mocks the song
Of peace on earth, good-will to men!"
Then pealed the bells more loud and deep:
"God is not dead, nor doth He sleep;
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men."
Saturday, December 18, 2010
Bare Naked Bones - A Worthwhile Blog
A friend of mine from way back - first grade, it so happens - has a blog called "Bare Naked Bones" which I recommend visiting. The content is centered around the musings of a woman paying attention to her surroundings on an everyday basis. It isn't glossed over and beautified. The author paints a very honest and telling story of life where she lives and walks her dog. It is sensitive and compassionate. It is passionate and raw. This is a writer who isn't afraid to tackle the tough stuff and share it with the rest of us.
Here is an excerpt from one of her posts:
It was like watching someone play Grand Theft Auto in slow motion. He poked and jabbed around the driver's side window with a flattened beer can, muttering, cursing and teetering. He knocked at the frame and tried the door handle several times before noticing me. "Can't find my keys. Heh heh." I smiled and let my dog sniff a nearby tree a bit longer. After another reassuring "Heh heh," he resumed.
The car is an icy blue Jaguar that is always parked in front of a retirement home, on what is rapidly turning into the worst street in the area. It stands out like a diamond in a coal mine. . ."
To read the rest of the post, and others, visit Bare Naked Bones~
Here is an excerpt from one of her posts:
Slowmo Slim Jim
The car is an icy blue Jaguar that is always parked in front of a retirement home, on what is rapidly turning into the worst street in the area. It stands out like a diamond in a coal mine. . ."
To read the rest of the post, and others, visit Bare Naked Bones~
Saturday Poem
Today from Poets.org
Christmas Trees
by Robert Frost
A Christmas Circular Letter
The city had withdrawn into itself
And left at last the country to the country;
When between whirls of snow not come to lie
And whirls of foliage not yet laid, there drove
A stranger to our yard, who looked the city,
Yet did in country fashion in that there
He sat and waited till he drew us out
A-buttoning coats to ask him who he was.
He proved to be the city come again
To look for something it had left behind
And could not do without and keep its Christmas.
He asked if I would sell my Christmas trees;
My woods—the young fir balsams like a place
Where houses all are churches and have spires.
I hadn't thought of them as Christmas Trees.
I doubt if I was tempted for a moment
To sell them off their feet to go in cars
And leave the slope behind the house all bare,
Where the sun shines now no warmer than the moon.
I'd hate to have them know it if I was.
Yet more I'd hate to hold my trees except
As others hold theirs or refuse for them,
Beyond the time of profitable growth,
The trial by market everything must come to.
I dallied so much with the thought of selling.
Then whether from mistaken courtesy
And fear of seeming short of speech, or whether
From hope of hearing good of what was mine,
I said, "There aren't enough to be worth while."
"I could soon tell how many they would cut,
You let me look them over."
"You could look.
But don't expect I'm going to let you have them."
Pasture they spring in, some in clumps too close
That lop each other of boughs, but not a few
Quite solitary and having equal boughs
All round and round. The latter he nodded "Yes" to,
Or paused to say beneath some lovelier one,
With a buyer's moderation, "That would do."
I thought so too, but wasn't there to say so.
We climbed the pasture on the south, crossed over,
And came down on the north.
He said, "A thousand."
"A thousand Christmas trees!—at what apiece?"
He felt some need of softening that to me:
"A thousand trees would come to thirty dollars."
Then I was certain I had never meant
To let him have them. Never show surprise!
But thirty dollars seemed so small beside
The extent of pasture I should strip, three cents
(For that was all they figured out apiece),
Three cents so small beside the dollar friends
I should be writing to within the hour
Would pay in cities for good trees like those,
Regular vestry-trees whole Sunday Schools
Could hang enough on to pick off enough.
A thousand Christmas trees I didn't know I had!
Worth three cents more to give away than sell,
As may be shown by a simple calculation.
Too bad I couldn't lay one in a letter.
I can't help wishing I could send you one,
In wishing you herewith a Merry Christmas.
Christmas Trees
by Robert Frost
A Christmas Circular Letter
The city had withdrawn into itself
And left at last the country to the country;
When between whirls of snow not come to lie
And whirls of foliage not yet laid, there drove
A stranger to our yard, who looked the city,
Yet did in country fashion in that there
He sat and waited till he drew us out
A-buttoning coats to ask him who he was.
He proved to be the city come again
To look for something it had left behind
And could not do without and keep its Christmas.
He asked if I would sell my Christmas trees;
My woods—the young fir balsams like a place
Where houses all are churches and have spires.
I hadn't thought of them as Christmas Trees.
I doubt if I was tempted for a moment
To sell them off their feet to go in cars
And leave the slope behind the house all bare,
Where the sun shines now no warmer than the moon.
I'd hate to have them know it if I was.
Yet more I'd hate to hold my trees except
As others hold theirs or refuse for them,
Beyond the time of profitable growth,
The trial by market everything must come to.
I dallied so much with the thought of selling.
Then whether from mistaken courtesy
And fear of seeming short of speech, or whether
From hope of hearing good of what was mine,
I said, "There aren't enough to be worth while."
"I could soon tell how many they would cut,
You let me look them over."
"You could look.
But don't expect I'm going to let you have them."
Pasture they spring in, some in clumps too close
That lop each other of boughs, but not a few
Quite solitary and having equal boughs
All round and round. The latter he nodded "Yes" to,
Or paused to say beneath some lovelier one,
With a buyer's moderation, "That would do."
I thought so too, but wasn't there to say so.
We climbed the pasture on the south, crossed over,
And came down on the north.
He said, "A thousand."
"A thousand Christmas trees!—at what apiece?"
He felt some need of softening that to me:
"A thousand trees would come to thirty dollars."
Then I was certain I had never meant
To let him have them. Never show surprise!
But thirty dollars seemed so small beside
The extent of pasture I should strip, three cents
(For that was all they figured out apiece),
Three cents so small beside the dollar friends
I should be writing to within the hour
Would pay in cities for good trees like those,
Regular vestry-trees whole Sunday Schools
Could hang enough on to pick off enough.
A thousand Christmas trees I didn't know I had!
Worth three cents more to give away than sell,
As may be shown by a simple calculation.
Too bad I couldn't lay one in a letter.
I can't help wishing I could send you one,
In wishing you herewith a Merry Christmas.
Friday, December 10, 2010
A Street
A poem by Leonard Cohen, from the New Yorker, 2 March, 2009
A Street
Read more http://www.newyorker.com/fiction/poetry/2009/03/02/090302po_poem_cohen#ixzz17jwcQLiq
A Street
I used to be your favorite drunk
Good for one more laugh
Then we both ran out of luck
And luck was all we had
You put on a uniform
To fight the Civil War
I tried to join but no one liked
The side I’m fighting for
So let’s drink to when it’s over
And let’s drink to when we meet
I’ll be standing on this corner
Where there used to be a street
You left me with the dishes
And a baby in the bath
And you’re tight with the militias
You wear their camouflage
I guess that makes us equal
But I want to march with you
An extra in the sequel
To the old red-white-and-blue
So let’s drink to when it’s over
And let’s drink to when we meet
I’ll be standing on this corner
Where there used to be a street
I cried for you this morning
And I’ll cry for you again
But I’m not in charge of sorrow
So please don’t ask me when
I know the burden’s heavy
As you bear it through the night
Some people say it’s empty
But that doesn’t mean it’s light
So let’s drink to when it’s over
And let’s drink to when we meet
I’ll be standing on this corner
Where there used to be a street
It’s going to be September now
For many years to come
Every heart adjusting
To that strict September drum
I see the Ghost of Culture
With numbers on his wrist
Salute some new conclusion
Which all of us have missed
So let’s drink to when it’s over
And let’s drink to when we meet
I’ll be standing on this corner
Where there used to be a street
Good for one more laugh
Then we both ran out of luck
And luck was all we had
You put on a uniform
To fight the Civil War
I tried to join but no one liked
The side I’m fighting for
So let’s drink to when it’s over
And let’s drink to when we meet
I’ll be standing on this corner
Where there used to be a street
You left me with the dishes
And a baby in the bath
And you’re tight with the militias
You wear their camouflage
I guess that makes us equal
But I want to march with you
An extra in the sequel
To the old red-white-and-blue
So let’s drink to when it’s over
And let’s drink to when we meet
I’ll be standing on this corner
Where there used to be a street
I cried for you this morning
And I’ll cry for you again
But I’m not in charge of sorrow
So please don’t ask me when
I know the burden’s heavy
As you bear it through the night
Some people say it’s empty
But that doesn’t mean it’s light
So let’s drink to when it’s over
And let’s drink to when we meet
I’ll be standing on this corner
Where there used to be a street
It’s going to be September now
For many years to come
Every heart adjusting
To that strict September drum
I see the Ghost of Culture
With numbers on his wrist
Salute some new conclusion
Which all of us have missed
So let’s drink to when it’s over
And let’s drink to when we meet
I’ll be standing on this corner
Where there used to be a street
Read more http://www.newyorker.com/fiction/poetry/2009/03/02/090302po_poem_cohen#ixzz17jwcQLiq
Thursday, December 9, 2010
Thursday, December 2, 2010
Letters From the Emily Dickinson Room
Agodon is a poet who is masterful with language and word-play. She delves into the world of the here-and-now with skill and honesty, not afraid to tackle such topics as marriage, spirituality, depression and self-discovery in a way that invites the reader in with sensitive intimacy. She leaves no mirror beetle untouched, falls "in love with your free verse of skin," and "presses on" through a world that is rich and vibrant, dark and tantalizing. Letters From the Emily Dicki ...more
So, I just joined (finally!) GoodReads, and I'm surprised I didn't get there sooner. I posted my review of friend Kelli Agodon's newest book of poetry, which is below:
"Agodon is a poet who is masterful with language and word-play. She delves into the world of the here-and-now with skill and honesty, not afraid to tackle such topics as marriage, spirituality, depression and self-discovery in a way that invites the reader in with sensitive intimacy. She leaves no mirror beetle untouched, falls "in love with your free verse of skin," and "presses on" through a landscape that is rich and vibrant, dark and tantalizing. Letters From the Emily Dickinson Room is a book of poetry not to be missed."
To read other reviews of Letters from the Emily Dickinson Room, visit Good Reads:
http://www.goodreads.com/book/show/8146988-letters-from-the-emily-dickinson-room#other_reviews
So, I just joined (finally!) GoodReads, and I'm surprised I didn't get there sooner. I posted my review of friend Kelli Agodon's newest book of poetry, which is below:
"Agodon is a poet who is masterful with language and word-play. She delves into the world of the here-and-now with skill and honesty, not afraid to tackle such topics as marriage, spirituality, depression and self-discovery in a way that invites the reader in with sensitive intimacy. She leaves no mirror beetle untouched, falls "in love with your free verse of skin," and "presses on" through a landscape that is rich and vibrant, dark and tantalizing. Letters From the Emily Dickinson Room is a book of poetry not to be missed."
To read other reviews of Letters from the Emily Dickinson Room, visit Good Reads:
http://www.goodreads.com/book/show/8146988-letters-from-the-emily-dickinson-room#other_reviews
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